Concerto for Cootie
Context
Piece by Duke Ellington written for his trumpeter Cootie Williams and recorded for Victor in Chicago on March 15, 1940, with the Blanton-Webster-era orchestra. A single-movement concerto built around the soloist. In 1942, Bob Russell added lyrics and the theme became "Do Nothin' Till You Hear from Me," a number one on the R&B charts in January 1944, recorded in a vocal version by Ellington in 1947.
In the genealogy of jazz
This track belongs to Harlem: Henderson, Redman, Ellington, Swing, big bands. Among the origins and influences of Harlem: Henderson, Redman, Ellington: Chicago, Stride (Harlem piano).