Lover, Come Back to Me

Dinah Washington · 1954 · Plage de près de dix minutes, chant et solos de trompettes

Context

Opening track of the record, a long jam session in which several soloists follow one another around Dinah Washington's voice (9 min 46). Recorded live in Los Angeles on August 15, 1954 for EmArcy (producer Bob Shad), with Clifford Brown, Clark Terry and Max Roach.

In the genealogy of jazz

This track belongs to Vocal jazz, scat, vocalese, Hard bop. Among the origins and influences of Vocal jazz, scat, vocalese: Classic blues (women singers), Swing, big bands, Bebop (Minton's, Monroe's).

By the same artist

• Come Rain or Come Shine (Dinah Washington) (1954)
• There Is No Greater Love (1954)
• What a Diff'rence a Day Makes (1959)
• This Bitter Earth (1959)
• Evil Gal Blues (1944)

Sources

• EN: Dinah Jams

Jazzency text written from these pages. Method and licenses