Mercy, Mercy, Baby
Context
Cut in London on February 1, 1946 with Jack Llewellyn and Allan Hodgkiss on guitars and Coleridge Goode on double bass. Same session as Nuages and Love's Melody.
In the genealogy of jazz
This track belongs to Latin jazz, Afro-Cuban, Soul jazz, boogaloo. Among the origins and influences of Latin jazz, Afro-Cuban: Afro-diasporic roots, Bebop (Minton's, Monroe's).