Tanga
Context
Composed by Mario Bauzá during a rehearsal of Machito's orchestra in May 1943 in New York, this track is generally considered the first Afro-Cuban jazz piece. It layers jazz solos and big band writing over Cuban rhythms based on the clave. It is cited as an early example of modal harmony in a jazz arrangement.
In the genealogy of jazz
This track belongs to Latin jazz, Afro-Cuban. Among the origins and influences of Latin jazz, Afro-Cuban: Afro-diasporic roots, Bebop (Minton's, Monroe's).