JazzencySite map

Billie Holiday

vocals · 1915–1959 · Philadelphia

Strange Fruit (Commodore, April 20, 1939), one of the most intimate voices in jazz.

Contribution to jazz

Billie Holiday made jazz singing an art of intimacy. She sings like an instrumentalist, shifting her phrasing against the beat, without vocal effects. With Strange Fruit, recorded at Commodore on April 20, 1939, she sings a text about lynching, a rare subject on a mainstream record of the time. The lyrics are a poem by Abel Meeropol.

Key dates

How to listen

Do not look for power: the voice is small. Listen to the gap between her line and the tempo, which she lays back or pushes ahead of like a soloist, and to the way she changes color on a single syllable. The recordings of the 1930s show her light and laughing. Those from the end of her life are heavier, barer, and often more moving.

Where to start

Styles

Landmark albums

What to hear next

Landmark tracks

Cited in 2 radio episodes

Sources

Facts checked against these pages (Wikipedia, CC BY-SA). Method and licenses

The editorial sections of this page (how to listen, where to start, landmarks) are written by Jazzency and are being proofread.

See their place in the genealogy of jazz