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Everybody Loves the Sunshine

Roy Ayers · 1976 · Morceau-titre, sous le nom Roy Ayers Ubiquity

Context

Title track of the 1976 album released on Polydor under the name Roy Ayers Ubiquity. Its groove on vibraphone and keyboards made it one of the most sampled tracks in jazz-funk.

In the genealogy of jazz

This track belongs to Fusion, jazz-rock, jazz-funk, Soul jazz, boogaloo, Acid jazz, jazz-rap, nu jazz. Among the origins and influences of Fusion, jazz-rock, jazz-funk: Modal, Soul jazz, boogaloo, Hard bop, Free jazz, Brazilian instrumental music, Indo-jazz, Modern big bands, Clube da Esquina (Minas Gerais).

By the same artist

Sources

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