Moana I
Context
First half of the Moana diptych on The Following Morning (ECM 1084). Weber, on double bass, interacts with Brüninghaus's piano and the winds and strings of the Oslo Philharmonic Orchestra.
In the genealogy of jazz
This track belongs to ECM and European jazz, Third stream. Among the origins and influences of ECM and European jazz: Free jazz, Modal, French jazz, Polish jazz, Free improvisation and European free.
By the same artist
- T. on a White Horse
- The Following Morning
- Silent Feet
- The Colours of Chloë
- Maurizius
- Often in the Open